I’m currently reading Dragonfire: Fallen Star and I need to get this off my chest, it’s about the difference between a slow burn and dragging something out, namely in the way of creating a relationship.
In the first book, Blaze meets Risha and it’s obvious she’s the love interest and that’s fine. She doesn’t have much of a personality besides being moral support for Blaze but it’s whatever. At the end of the book, the author does something differently and doesn’t pair them together despite it being obvious.
That caught my attention, if it didn’t happen in the first book after the final battle and Risha almost died, maybe Blaze would get with someone else in book two? No ... he doesn't. It takes until the end of book two for both of them to admit they love each other and Blaze is confused because he never had a concept of “love” and didn’t realise he was in “love” or that Risha loved him. (I know asexuality is a thing however I can’t comment if Blaze is asexual or aromantic because I’m not either of those things. As far as I’m aware, Blaze isn’t.)
So let’s talk about a slow burn vs. dragging out a relationship.
A slow-burn love story is kind of the focus of the story. Most of the time you see them in either slice-of-life stories, romance, or even erotic storytelling, but the main focus of the story is primarily the relationship between two or more characters. You know it’s gonna happen, everyone around them knows it’s gonna happen, and the build-up of their relationships feels natural, and if written well, you’re waiting for that “I love you, let’s kiss as a couple” moment just like how everyone else in the story is waiting for it.
Now that’s not to say a slow-burn relationship is only found in those stories, as it’s a common trope with a lot of storytelling. Two characters are in love but don’t have time to do anything about it until the story is over where they can relax and admit their feelings for one another. (Insert nearly any story here).
The point is, if it’s obvious, and we know it’s gonna happen if it doesn’t happen at the end where we thought it would...then it becomes a love story which feels like it’s dragging on.
Case in point, Dragonfire book one and two. While I was caught off guard about book one’s ending where Blaze didn’t get with Risha, book two started off with the most obvious “I’m in love but don’t realise it” kind of writing there is and it doesn’t stop until near the end. This relationship was already established and written in book one, why does it have to carry over to the next book? Mind you these books are over 400 pages long, I basically, read an 800-page romance where they don’t get together until page 800. That’s not a slow burn, that’s dragging it out.
Slow burn vs. dragging it out comes down to how the reader feels about said relationship. I’ll use myself as the main example because I like slow burns. I giggle when I see them because I think it’s cute when two people are in love, don’t realise it, and they blush every time they see each other. I’m a sucker for romance so I’d like to see my slow burns every once in a while.
Slow burn for romance, slice of life, and even erotica are kind of the point of their stories. Two characters are in love, they spend a lot of time together and in the end, they get together. So I don’t need to explain much about them because it’s kind of the whole point you read them some of the time.
Slow Burns for nearly every other story is written in a way where two characters are in love, they don’t know it, but as the story progresses, they think about each other, maybe even flirt a little, and they sacrifice their lives for each other. (Typical romance in more adventure pack stories.) At the end of the final climax of the story (normally after a love interests nearly die) and the world is saved, they kiss at the end and everyone cheers. While the romance isn’t the main point of the story, it’s still a very obvious way to write one and a lot of readers expect something at the end after it was built up from the beginning. Even if the relationship isn’t written well, some readers might give it a pass if they know what’s gonna happen at the end.
Now what about a slow burn for multiple stories? At what point does it drag?
Slow burns for multiple stories can work, but you need to change the relationship a little. First of all, having the main character “not realise” they're in love isn’t a good way to avoid putting them together unless said character is aromantic or asexual. (Like I said, I’m not either of them and have no idea how to write a character who's like that, so if that’s what you’re going for I suggest asking other writers who are either of those things.)
The relationship needs to grow and others need to comment about it. The characters could be unsure if the other will like them or they could both be aware they like each other but have neither want to make it official because what if it causes their friendship to break? Just do something which indicates they’re trying, but have a good reason not to make it official.
That caught my attention, if it didn’t happen in the first book after the final battle and Risha almost died, maybe Blaze would get with someone else in book two? No ... he doesn't. It takes until the end of book two for both of them to admit they love each other and Blaze is confused because he never had a concept of “love” and didn’t realise he was in “love” or that Risha loved him. (I know asexuality is a thing however I can’t comment if Blaze is asexual or aromantic because I’m not either of those things. As far as I’m aware, Blaze isn’t.)
So let’s talk about a slow burn vs. dragging out a relationship.
A slow-burn love story is kind of the focus of the story. Most of the time you see them in either slice-of-life stories, romance, or even erotic storytelling, but the main focus of the story is primarily the relationship between two or more characters. You know it’s gonna happen, everyone around them knows it’s gonna happen, and the build-up of their relationships feels natural, and if written well, you’re waiting for that “I love you, let’s kiss as a couple” moment just like how everyone else in the story is waiting for it.
Now that’s not to say a slow-burn relationship is only found in those stories, as it’s a common trope with a lot of storytelling. Two characters are in love but don’t have time to do anything about it until the story is over where they can relax and admit their feelings for one another. (Insert nearly any story here).
The point is, if it’s obvious, and we know it’s gonna happen if it doesn’t happen at the end where we thought it would...then it becomes a love story which feels like it’s dragging on.
Case in point, Dragonfire book one and two. While I was caught off guard about book one’s ending where Blaze didn’t get with Risha, book two started off with the most obvious “I’m in love but don’t realise it” kind of writing there is and it doesn’t stop until near the end. This relationship was already established and written in book one, why does it have to carry over to the next book? Mind you these books are over 400 pages long, I basically, read an 800-page romance where they don’t get together until page 800. That’s not a slow burn, that’s dragging it out.
Slow burn vs. dragging it out comes down to how the reader feels about said relationship. I’ll use myself as the main example because I like slow burns. I giggle when I see them because I think it’s cute when two people are in love, don’t realise it, and they blush every time they see each other. I’m a sucker for romance so I’d like to see my slow burns every once in a while.
Slow burn for romance, slice of life, and even erotica are kind of the point of their stories. Two characters are in love, they spend a lot of time together and in the end, they get together. So I don’t need to explain much about them because it’s kind of the whole point you read them some of the time.
Slow Burns for nearly every other story is written in a way where two characters are in love, they don’t know it, but as the story progresses, they think about each other, maybe even flirt a little, and they sacrifice their lives for each other. (Typical romance in more adventure pack stories.) At the end of the final climax of the story (normally after a love interests nearly die) and the world is saved, they kiss at the end and everyone cheers. While the romance isn’t the main point of the story, it’s still a very obvious way to write one and a lot of readers expect something at the end after it was built up from the beginning. Even if the relationship isn’t written well, some readers might give it a pass if they know what’s gonna happen at the end.
Now what about a slow burn for multiple stories? At what point does it drag?
Slow burns for multiple stories can work, but you need to change the relationship a little. First of all, having the main character “not realise” they're in love isn’t a good way to avoid putting them together unless said character is aromantic or asexual. (Like I said, I’m not either of them and have no idea how to write a character who's like that, so if that’s what you’re going for I suggest asking other writers who are either of those things.)
The relationship needs to grow and others need to comment about it. The characters could be unsure if the other will like them or they could both be aware they like each other but have neither want to make it official because what if it causes their friendship to break? Just do something which indicates they’re trying, but have a good reason not to make it official.
Sometimes you can make fake love triangles. (Fake love triangles are love triangles which are put in place to further the relationship between two characters). Fake love triangles normally don’t last long, but last just enough for the slow burn to do its magic. Which is mostly by making one of the love interests either jealous or sad because they “missed their moment” even though the character they're crushing on is very obviously not gonna stick with their current partner.
Real-life relationships don’t just happen overnight, sometimes they can take years so there’s nothing wrong if you want to write a slow-burn relationship, the problem comes from the audience's patience and this is something which will vary from person.
From my own experience and how I feel when reading these types of relationships. If it was obvious, that they were supposed to get together at the end of one book but didn’t, that could either surprise me as I might've felt I read the entire relationship wrong or get annoyed because we’re doing this entire song and dance all over again in book two.
While I can’t give an example for every time I felt like this while reading stories, I’ll try to explain why I felt like some relationships were dragging on because as I stated before, this ultimately comes down to audience patience.
Enough time has passed: Most of the time between books one and two, there’s a time jump. Book one of Dragonfire and book two have a four-season time jump (so most likely a year) during this entire year, neither Blaze nor Risha get together? What were they doing this entire time?
I don’t know about other readers but I’d like to imagine what characters do when the story is over and if there’s a seconded book with a time jump, I'd try to imagine what they were doing in said time jump. Both of these characters were crushing on each other for the entirety of book one and yet neither made a move during the gap? Why? It also doesn’t explain why they never tried to make a move on each other during the gap in book two as well.
If you want to create a slow burn for several stories and you know there’s gonna be a time jump in between some of the stories, you need to explain why your characters, who now have some time to relax, don’t get together. Sometimes it can be as simple as “we already tried and it didn’t work out”, it happens. Sometimes people need to try a relationship a few times before getting it right. If this is the case, it’s more believable that while they still like each other, they don’t want to try again because what if it doesn’t work out a second time? What if they get into a fight and ruin their friendship?
You can also have one of the characters already in another relationship with someone else. This is leaning more on the love triangle side of things instead of creating a fake one, but how this one works is that one of the characters took a bit too long to say “I love you” so, the other character moved on during the time jump and now the character which took a bit too long to say “I love you” is upset about their actions. The reason why I say this isn’t really a fake love triangle trope is because if this love triangle is established at the beginning of the second book, then it’s gonna play a more prominent role throughout the story.
Maybe you could create a Romeo and Juliet kind of slow burn where the main characters know they love each other but they can’t make it official because of reasons. While this is on the line of creating an established relationship, there’s a difference between them kissing in secret compared to kissing in public and it’s the public kiss the readers are waiting for. You can also do this same exact love story but have it where one of the characters keeps refusing to progress because if others find out, then a war will break out or something.
The point is, that you need to acknowledge why they haven’t gotten together instead of the “I didn’t know I was in love” trope.
Another reason why I feel a slow burn turns into a dragging-on love story is when there are no other options. I know we all hate love triangles but they do serve a purpose. If two characters love each other, and there’s no other character that ever gets brought up as a potential love triangle then I ask, why haven’t they just tied the knot if neither of them have any options?
It should’ve happened already: This one is an easy explanation. If a reader feels like the relationship should’ve already been confirmed and it’s not...that feels like the relationship is dragging on. This kind of feeling will vary from reader to reader so if this is what someone says, it’s best to ask them to clarify.
The writer put too much emphasis on the relationship: If you want a relationship to take place over several stories, or even just one, but you want it to be a slow burn, while not creating a romance, slice of life, etc. If you bring up the fact two characters are in love over and over, to the point it feels like the relationship is getting more attention than the actual story, readers might want those characters to tie the knot just so the story can move forward.
Every single one of these examples is based on a reader's feelings about the relationship you're creating so it changes for everyone and everyone will have a different spot in your story they can tell you where it felt like the relationship is dragging on. For me, it was in chapter two of book two, I already felt like it was dragging on as soon as I realised this was gonna be the same thing as in book one.
Beta readers are your friend and if you’re gonna have this come across in multiple stories, then make sure to find beta readers who’ve read each story and ask them how the relationship felt for them. If someone tells you it feels like it’s dragging a bit. You don’t have to change the relationship entirely, but make sure you get multiple opinions because each reader will view your relationship differently.
Despite love being a very common experience everyone has felt, it’s also one of the most difficult ones to write. Just make sure to get different opinions and see what the majority of your readers feel like.
Real-life relationships don’t just happen overnight, sometimes they can take years so there’s nothing wrong if you want to write a slow-burn relationship, the problem comes from the audience's patience and this is something which will vary from person.
From my own experience and how I feel when reading these types of relationships. If it was obvious, that they were supposed to get together at the end of one book but didn’t, that could either surprise me as I might've felt I read the entire relationship wrong or get annoyed because we’re doing this entire song and dance all over again in book two.
While I can’t give an example for every time I felt like this while reading stories, I’ll try to explain why I felt like some relationships were dragging on because as I stated before, this ultimately comes down to audience patience.
Enough time has passed: Most of the time between books one and two, there’s a time jump. Book one of Dragonfire and book two have a four-season time jump (so most likely a year) during this entire year, neither Blaze nor Risha get together? What were they doing this entire time?
I don’t know about other readers but I’d like to imagine what characters do when the story is over and if there’s a seconded book with a time jump, I'd try to imagine what they were doing in said time jump. Both of these characters were crushing on each other for the entirety of book one and yet neither made a move during the gap? Why? It also doesn’t explain why they never tried to make a move on each other during the gap in book two as well.
If you want to create a slow burn for several stories and you know there’s gonna be a time jump in between some of the stories, you need to explain why your characters, who now have some time to relax, don’t get together. Sometimes it can be as simple as “we already tried and it didn’t work out”, it happens. Sometimes people need to try a relationship a few times before getting it right. If this is the case, it’s more believable that while they still like each other, they don’t want to try again because what if it doesn’t work out a second time? What if they get into a fight and ruin their friendship?
You can also have one of the characters already in another relationship with someone else. This is leaning more on the love triangle side of things instead of creating a fake one, but how this one works is that one of the characters took a bit too long to say “I love you” so, the other character moved on during the time jump and now the character which took a bit too long to say “I love you” is upset about their actions. The reason why I say this isn’t really a fake love triangle trope is because if this love triangle is established at the beginning of the second book, then it’s gonna play a more prominent role throughout the story.
Maybe you could create a Romeo and Juliet kind of slow burn where the main characters know they love each other but they can’t make it official because of reasons. While this is on the line of creating an established relationship, there’s a difference between them kissing in secret compared to kissing in public and it’s the public kiss the readers are waiting for. You can also do this same exact love story but have it where one of the characters keeps refusing to progress because if others find out, then a war will break out or something.
The point is, that you need to acknowledge why they haven’t gotten together instead of the “I didn’t know I was in love” trope.
Another reason why I feel a slow burn turns into a dragging-on love story is when there are no other options. I know we all hate love triangles but they do serve a purpose. If two characters love each other, and there’s no other character that ever gets brought up as a potential love triangle then I ask, why haven’t they just tied the knot if neither of them have any options?
It should’ve happened already: This one is an easy explanation. If a reader feels like the relationship should’ve already been confirmed and it’s not...that feels like the relationship is dragging on. This kind of feeling will vary from reader to reader so if this is what someone says, it’s best to ask them to clarify.
The writer put too much emphasis on the relationship: If you want a relationship to take place over several stories, or even just one, but you want it to be a slow burn, while not creating a romance, slice of life, etc. If you bring up the fact two characters are in love over and over, to the point it feels like the relationship is getting more attention than the actual story, readers might want those characters to tie the knot just so the story can move forward.
Every single one of these examples is based on a reader's feelings about the relationship you're creating so it changes for everyone and everyone will have a different spot in your story they can tell you where it felt like the relationship is dragging on. For me, it was in chapter two of book two, I already felt like it was dragging on as soon as I realised this was gonna be the same thing as in book one.
Beta readers are your friend and if you’re gonna have this come across in multiple stories, then make sure to find beta readers who’ve read each story and ask them how the relationship felt for them. If someone tells you it feels like it’s dragging a bit. You don’t have to change the relationship entirely, but make sure you get multiple opinions because each reader will view your relationship differently.
Despite love being a very common experience everyone has felt, it’s also one of the most difficult ones to write. Just make sure to get different opinions and see what the majority of your readers feel like.
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